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33 是什么一组数字不是一座建筑

  伦敦格林威治观景塔楼

  Studio Weave builds viewing tower that looks like a terraced house in Londons Greenwich

  Studio Weave近期完毕了一座犹如“经典退台修筑”的展馆,修筑位于伦敦格林威治,人们可以正在展馆上俯瞰周边美景。

  Studio Weave has unveiled a pavilion in the form of a typical terraced house, offering views over the construction site of a new design district on the Greenwich Peninsula in London.

  该项目名字为“33”,Studio Weave刻意人Je Ahn一经寓居于此,修筑共三层,映33 是什么一组数字不是一座建筑现为梯形,而且搭配有亮血色的大门。

  安排计划参考了格林威治地域的修筑特点,这座修筑位于河畔,周边有着一系列现有的格鲁吉亚任务家经常行使的平台。然而这座修筑并没有行使古板的砖石墙体,而是由木柴元素筑制而成,看起来至极具有装扮感。

  Named 33, the number of the house Studio Weave director Je Ahn used to live at, the three-storey pavilion is built in the shape of a terraced house, complete with a bright red door.

  The design references the housing that previously covered much of the Greenwich Peninsula, and the structure also stands near a row of surviving Georgian worker terraces on River Way. But instead of typical brick walls, 33 comprises a decorative lattice of timber elements.

  Ahn是首届Dezeen奖的评审职员,他说道:“这个项宗旨中央是‘什么是家’。”

  他告诉Dezeen的记者:“这个项目是为了怀想该地域的起色,这些新机会为泰晤士河畔供应了全新的住房与就业时机。”

  The project was conceived under the theme of what home is, explained Ahn, who is also a judge of the inaugural Dezeen Awards.

  It celebrates the evolution of the area as a creative community providing new homes, jobs and neighbourhoods near the River Thames, he told Dezeen.

  梯形修筑的机合系统由英邦道格拉斯冷杉木筑制而成,相连的木桩组成了周边的围护体系。

  Ahn说:“‘33’项目照应了史乘修筑的比例,仿制它们的窗户、大门,以及烟囱的大局,同时联络了现代的修筑大局以及纷乱的装扮。”

  “这些服装模板系统有着机合用意,同时也外达了通俗的文明合联,更加是针对伦敦地域确当代修筑提出了质疑,正在这里,梯形修筑已经是家庭住屋的合键类型。”

  The stripped structure of the single terraced house is built with Douglas fir from forests in the UK, joined together with timber pegs.

  Thirty-three echoes the proportions of a historical terrace dwelling, mimicking window, door and chimney segments yet introducing a contemporary twist in the form of intricately patterned stud-work, said Ahn.

  These patterns have a structural purpose whilst also suggesting broader cultural associations – in particular questioning the meaning of home in contemporary London, where terraced houses are still the dominating residential typology associated with the idea of home.

  正在阳台之中,修筑师采用了明黄色的钢梯,让人们可以进入其内部,感应修筑项宗旨拓荒流程。

  Ahn说:“Phoenix是搭客会来游历的宗旨地,同时也成为了周边的观景平台,此外还能容纳各项勾当。”

  Within the timber terrace, a bright yellow steel staircase allows visitors to climb up inside the pavilion to get views of the a new housing development that is already under construction.

  Acting as the destination for visitors travelling down Phoenix Avenue, the pavilion is both a viewing platform for contemplating the construction of the neighbouring design district and an event space for a variety of activities, said Ahn.

  正在展览中,地面上的平面安排由Jay Cover与Hato配合绘制完毕,这涌现了家具的榜样特点,诸如桌子、椅子、书桌等家具与这座住屋都至极谐和。

  正在地面层,这些平面图像从内部延迟向外,酿成“花圃”。

  Ahn说:“通过2D空间的‘花圃’,饱励起人们对待家庭的占领欲,人们可能正在这里体验到伦敦群众通常生计中的各项步骤。”

  Throughout the pavilion, graphics on the floor – coordinated by Hato and illustrated by Jay Cover – show typical items of furniture that would be normal in a home, such as tables and chairs, and a desk.

  On the ground floor, these illustration extend out from the pavilion to form a garden.

  With illustrations that evoke the personal occupation of the home, extending into a 2D drawn garden, visitors can discover and take delight in everyday domestic stuff that reveals how Londoners live today, added Ahn.

  Studio Weave仍旧完毕了伦敦的几个展馆的安排,近期的项目位于泰晤士河邻近,正在水箱之中,修筑师安放了一座抬高的花圃。

  拍照:Jim Stephenson

  Studio Weave has completed several pavilions across London. The most recent, which is also near the River Thames, contains a raised garden within a water tank.

  Photography is by Jim Stephenson.

  项目新闻:

  修筑安排:Studio Weave

  客户:Now Gallery & Greenwich Peninsula and Knight Dragon

  平面安排:Hato with Jay Cover

  机合工程:Timberwright

  合键承包商:Timberwright

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